Here are my picks for the Top 16 folk-rooted or folk-branched albums of 2016. As in past years, I started with the list of hundreds of albums that landed on my desk over the past year and narrowed it down to a short list of about 30. I’ve been over the short list several times over the past couple of weeks and came up with several similar – not identical – Top 16 lists. As I’m about to take a break from blogging until January, today’s list is the final one. The order might have been slightly different, and there are several other worthy albums that might have been included, had one of the other lists represented the final choice.
1. Leonard Cohen – You Want It Darker (Columbia). Released just a few weeks before Leonard Cohen died earlier this month at age 82. You Want It Darker is the third in a series of remarkable and deep late-career albums that followed in the wake of Leonard’s equally remarkable years of late-career tours and live albums. This is a masterwork filled with conversational and hypnotically mesmerizing song-poems layered with meaning that both reveal more every time they are heard and suggest new avenues of meaning and interpretation rendering them ever mysterious.
2. Chaim Tannenbaum – Chaim Tannenbaum (StorySound Records). I’ve known Chaim Tannenbaum since the early-1970s and throughout that time he remained my favorite singer who had never made an album of his own. Finally, at age of 68, and retired from his career as a philosophy professor at Dawson College, he has finally recorded this compelling debut album. Drawing on traditional and contemporary sources – including several superbly crafted original songs – there is a theme of exile that runs through most, perhaps all, of these songs in some way or another. Chaim won the 2016 Canadian Folk Music Award for traditional singer of the year for Chaim Tannenbaum
3. Jim Kweskin & Geoff Muldaur – Penny’s Farm (Kingswood Records). Well over 50 years after Jim Kweskin & the Jug Band got together and 40-something years since they broke up, Jim Kweskin and band stalwart Geoff Muldaur reunited for the sublime Penny’s Farm, an eclectic collection of folk-rooted and folk-branched songs played by a couple of masters whose interpretive skills have aged like fine whiskey. Jim and Geoff each take the lead vocal on about half the tracks.
4. Tom Russell – The Tom Russell Anthology 2: Gunpowder Sunsets (Frontera Records). The second volume of Tom Russell’s Anthology is a generous 19-song, 79-minute set that includes several early songs, several previously-unreleased tracks, and many that were first released in the years since the first volume. The collection is a great introduction to Tom Russell for neophytes and it has enough previously-unheard material – and a fresh-sounding sequencing – that makes it a great listen for longtime aficionados like me of the artist I’ve often called the best songwriter of my generation.
5. The Del McCoury Band – Del and Woody (McCoury Music). Bluegrass legend Del McCoury is another of Nora Guthrie’s great choices for an artist to set some of Woody Guthrie’s previously unknown lyrics to music. On Del and Woody, he adds a dozen “new” songs to the Guthrie canon while creating one of the best bluegrass albums I’ve heard in years. The lyrics are all Woody’s set to melodies by Del. He receives strong support throughout the CD from his band – including two of Del’s sons – who are, perhaps, the greatest traditional bluegrass band currently active.
6. Maia Dunn – Gatherings (Distant Whisper Music). Taking her cue from Pete Seeger, who said “The key to the future of the world is finding the optimistic stories and letting them be known,” Maria Dunn has done just that on Gatherings, giving us inspiring songs mostly about the lives of real people making a difference in the world. Maria is one of Canada’s finest and most perceptive singer-songwriters and these songs are important additions to the Canadian folk music canon.
7. Leyla McCalla – A Day for the Hunter, a Day for the Prey (Jazz Village). Three years ago, the last time I saw the Carolina Chocolate Drops, cellist and singer Leyla McCalla was part of that wonderful ensemble. She has since emerged as a solo artist whose work is captivating, compelling and utterly original. A Day for the Hunter, a Day for the Prey, her second album, includes several of her own songs, several by others and several traditional pieces variously sung in English, Cajun French and Haitian Creole.
8. David Francey – Empty Train (Laker Music). On Empty Train, David Francey offers 11 of his insightful, mostly timeless songs and a fine version of “False Knight,” the traditional folk song. Perhaps the most moving songs are “Crucible,” written about his father and uncle’s service in the Royal Navy during the Second World War, and “Hospital” about visiting his father in the hospital. David won 2016 Canadian Folk Music Awards for solo artist of the year and contemporary album of the year for Empty Train.
9. Anne Hills and Jay Ansill – Fragile Gifts (Hand & Heart Music). On the lovely Fragile Gifts, Jay Ansill has created classical arrangements – ranging from string quartet to full chamber orchestra – to accompany Anne Hills’ vocals on a selection of material that includes songs by Anne, songs co-written by Anne and Jay, and poetry settings by Jay. There is also an instrumental suite composed by Jay based on Spanish traditional music, and a lovely version of “The Scarecrow” by Lal and Mike Waterson.
10. Orit Shimoni – Soft Like Snow (MW Music). The quiet, sad, poetic, thought-provoking songs on Orit Shimoni’s Soft Like Snow speak of love, loss of love, memory and the futility of war. Sometimes reminiscent of Leonard Cohen – one song, “Playing Chelsea Hotel” is a direct nod to Leonard – such pieces as “Soft Like Snow,” “Room to Myself” and “Fool” show Orit to be a deeply perceptive songwriter.
11. Claire Lynch – North by South (Compass Records). Claire Lynch, one of the finest of contemporary bluegrass singers, has long also found inspiration in contemporary folk-rooted styles, singers and songwriters. On North by South, she specifically finds inspiration in Canadian songwriters – nine of the 10 songs were written by Canadians (the 10th is one of Claire’s own songs). Highlights include the haunting version of Lynn Miles’ “Black Flowers,” whose narrator is a young mother whose husband was recently killed in a coal mine accident, as well as songs by Old Man Luedecke and Willie P. Bennett.
12. Eric Bibb & North Country Fair with Danny Thompson – The Happiest Man in the World (Stony Plain Records). The prolific Eric Bibb keeps his prolific stream of releases sounding fresh by often working with different combinations of collaborators. This time around, Eric is joined by North Country Far – a trio of Finnish musicians – and legendary British bassist Danny Thompson who provide always tasteful and never obtrusive back-up for Eric’s own inspired singing and guitar and banjo playing. Despite the fact that Eric has recorded so many albums in recent years, each of his recordings is a treat and this is no exception.
13. Bob Dylan – The Real Royal Albert Hall 1966 Concert (Columbia/Legacy). Drawn from the 36-CD box set documenting virtually every show on Bob Dylan’s 1966 tour of Australia and Europe, this standalone 2-CD set includes a stunning seven-song acoustic set that is solo Dylan at his best and a fierce electric set with The Hawks (later to be known as The Band) that rocks hard. If this album is not essential, it’s only because the set list is identical to the Manchester Free Trade Hall concert some days earlier released in 1998 as The Bootleg Series Vol. 4: Bob Dylan Live 1966, The “Royal Albert Hall” Concert.
14. Corin Raymond – Hobo Jungle Fever Dreams (Local Rascal Records). Corin Raymond is a singer-songwriter whose work on Hobo Jungle Fever Dreams engages the listener; the words and melodies combining to draw listeners into the stories he’s telling – and whether the stories are autobiographical or about other people, real or fictional, it’s the story that matters with the lyrics, music, arrangement and delivery all in service to the story. Corin makes you care about the people in these songs. David Gillis won the 2016 Canadian Folk Music Award for producer of the year for his work on Hobo Jungle Fever Dreams.
Click here for my full-length review of Hobo Jungle Fever Dreams.
15. Sally Rogers & Claudia Schmidt – We are Welcomed (Pragmavision). On We are Welcomed, Sally Rogers and Claudia Schmidt have combined their always lovely and frequently powerful voices together in glorious harmony. While both have maintained solo careers over the years, this is their fourth collaborative album together since 1981. Each contributes several original songs and they also do several well-chosen covers, including a magnificent version of Sandy Denny’s autumnal masterpiece “Who Knows Where the Time Goes.”
16. Jenny Whiteley – The Original Jenny Whiteley (Black Hen Music). Jenny Whiteley’s fifth solo album, The Original Jenny Whiteley, is a homage to her dad, Chris Whiteley, a member of Toronto’s legendary Original Sloth Band. Whether on songs like “Stealin’, Stealin’” or “Things are Coming My Way,” which were on Sloth Band LPs back in the ‘70s, or on other vintage songs, or even her own original material, they were all, she notes, “influenced in some way by his music.” The Original Jenny Whiteley is a delightful 11-song romp.
I will be featuring songs from each of these albums when I host the Saturday Morning program on CKCU on Saturday, January 7, 7-10 am. (The program will also be available 24/7 foron-demand streaming after it airs.)