Friday, March 3, 2017

Guy Clark – The Best of the Dualtone Years

The Best of the Dualtone Years

Guy Clark (1941-2016), who died last May at age 74, had been one of my favorite singer-songwriters for more than 40 years.

As I noted four years ago in my review of My Favorite Picture of You, “I started writing about music for the Montreal Gazette back in 1975 and one of the LPs I reviewed that year was Old No. 1, the first-ever album by Guy Clark, who was already a favorite songwriter of mine thanks to having heard some of his songs sung by Jerry Jeff Walker and Bill Staines. Since then, I’ve written about almost every album Guy has done over the years. I’ve also hung out with him a few times at folk festivals and interviewed him twice – once for the Gazette and once on the Folk Roots/Folk Branches radio program when he came up to Montreal to play a concert with Jesse Winchester at the Outremont Theatre in 2001.

“One of those albums I’ve written about was called Old Friends. And, indeed, almost all of Guy’s albums and songs feel like old friends. They feel like old friends when you pull out one of those albums that you haven’t played for a while and they feel like old friends when you hear them for the first time. There’s something familiar and inviting about his songs when you hear them for the first time – maybe it’s “that old time feeling” Guy sang about on Old No. 1 – that turns his new songs into old friends.”

Beginning in 2006, Guy’s final four albums were released by Dualtone Records and the 2-CD set, The Best of the Dualtone Years, is a lovely collection of 16 songs from those albums plus three previously unreleased demos.

As well as 10 then-new Guy Clark songs and a Townes Van Zandt cover from Workbench Songs, Somedays the Song Writes You and My Favorite Picture of You, there are also four of Guy’s classics from Songs and Stories, a live album he released in 2011, and, as mentioned, demo versions of three songs we’ve not heard before.

While I’m loath to pick favorites from this collection – this is a best-of collection from a songwriting giant – I will mention just a few.

One of the most affecting songs is “My Favorite Picture of You,” co-written with Gordy Sampson, a lovely remembrance of Guy’s late wife, the songwriter and painter Susanna Clark. In the song, Guy reflects on a photo of Susanna, describing her and her mood when it was taken, and turning it into a touching but powerful declaration of love.

Another affecting piece is “El Coyote,” co-written with Noel McKay, which describes impoverished Mexicans trying to find a better life in America only to be preyed on, exploited and deserted by human smugglers – surely a topical song in the age of Trump.

“The Guitar,” co-written with Verlon Thompson, Guy’s longtime performing partner, describes a supernatural encounter with an instrument of destiny in a pawnshop and is a definite highlight in the collection.

The live classics include the always-fun “Homegrown Tomatoes; “The Randall Knife,” a poignant memory of his late father; “Dublin Blues,” a meditation on beauty, great art and great music set to the old folk melody from “Handsome Molly”; and “The Cape,” co-written with Susanna, which he introduces as a song “about jumping off a garage,” but is really an affirmative piece about having confidence in one’s self.

The Best of the Dualtone Years is a fine introduction to Guy Clark’s later recordings but I would recommend all of his albums to anyone interested in great songwriting.

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--Mike Regenstreif

1 comment:

  1. Love your reviews and have been a Guy Clark fan for as long as you have, perhaps even a bit longer. Growing up in Texas, his music was the soundtrack of my life and family. The characters in his songs were my friends and family. The "drifter, a driller of oil wells" of "Desperados Waiting for a Train" was my grandfather to me. I drove past the Green Frog Cafe with some regularity, even stopped in on occasion. Guy Clark was the poet laureate of Texas in my estimation as so many of his songs are inextricably linked to the state. Reading this review, I also sensed that you and I were living parallel lives as fans of folk/traditional music. While you were discovering my local troupadours, I was entralled with music from Quebec. I wore the grooves out of multiple copies of Kate and Anna McGarrigle's early album, titled simply by their names. As much as I loved "Heart Like a Wheel" by Linda Ronstadt, I found that rendition difficult to listen to once I heard it from the angelic voices of the authors. It seems almost fateful that find myself here in Quebec, and loving it, I might add. My wife and I had the wonderful good fortune to see Kate and Anna McGarrigle at an impromptu performance accompanied by Emilylou Harris at Theatre St. Denis only about a year before Kate's passing. Thanks for the review. I must purchase a copy of this wonderful retrospective of the late, great Guy Clark's work.